I chatted to Mark Murphy at BBC Radio Suffolk this morning as part of a discussion about Kitchen Gadgets that have fallen out of use.
We have all bought something for the kitchen to help us cook or prepare food and consequently found that although useful, they end up sitting in a cupboard, in a draw or on top of a kitchen cabinet.
Listen into the audio stream to find out what I thought and how I placed my foot in my mouth at a well known shopping channel.
I’ve just received an email from YouTube. It informs me and millions of others, that we are being dumped from their advertising program. This apparently is to stop ‘spammers, impersonators and other “bad actors”‘ from making money from their ‘eco-system’.
**UPDATE** 21 Feb 2018
YouTube have emailed again today to confirm the cessation of advertising revenue. The rollout of these changes was documented by Ken Heron on his YouTube channel where advertising was removed from his videos according to his dashboard. Ken meets with YouTube’s new rules and should in fact continue to receive monetisation.
Ken Heron’s YouTube video relating to this change is below
https://www.youtube.com/watch?v=IXUMv_9b8HQ
YouTube’s most recent letter confirming removal of monetisation is below. Whilst my Youtube video’s are in no way Studio Quality, they are not Spammy, Impersonating anyone or re-uploading video (unless where permission is giving such as SpaceX).
YouTube Confirms Removal of Monetisation
In reality, they are removing the ability for non-professionals to make any kind of money from their advertising platform (I can tell you it is a very small amount).
Big Hitters such as MKBHD and Casey Neistat will continue to reap the rewards of monetisation leaving the less fortunate ‘potless’.
Simply put, people such as Casey Neistat, Marques Brownlee (MKBHD) and other extremely successful ‘YouTubers’ will continue to rake in millions in advertising revenue, whilst the less fortunate will lose all forms of income from this platform.
Whilst there is nothing wrong with being paid for high quality content, successful YouTube creators also earn massive amounts of revenue from advertising and affiliate links. Basically they continue to get the best of all worlds, whilst the less fortunate get completely cut off.
The Gadget Man YouTube Channel
In all honesty my videos on YouTube make a pittance through advertising, however I also have a Patreon channel. This is a 3rd party channel which many YouTubers current use to make a sensible living through their hard work. If you feel somewhat inclined to support The Gadget Man site and Youtube channel, you can use Patreon to do this. Not only will this help encourage me to produce more content, it will also help towards buying better equipment to produce content.
YouTube is owned by Google who’s corporate code of conduct is Don’t Be Evil.
“2017 marked a tough year for many of you, with several issues affecting our community and the revenue earned from advertising through the YouTube Partner Program (YPP). Despite those issues more creators than ever are earning a living on YouTube, with the number of channels making over six figures up over 40% year-over-year. In 2018, a major focus for everyone at YouTube is protecting our creator ecosystem and ensuring your revenue is more stable.
As Susan mentioned in December, we’re making changes to address the issues that affected our community in 2017 so we can prevent bad actors from harming the inspiring and original creators around the world who make their living on YouTube. A big part of that effort will be strengthening our requirements for monetization so spammers, impersonators, and other bad actors can’t hurt our ecosystem or take advantage of you, while continuing to reward those who make our platform great.
Back in April of 2017, we set a YPP eligibility requirement of 10,000 lifetime views. While that threshold provided more information to determine whether a channel followed our community guidelines and policies, it’s been clear over the last few months that we need a higher standard.
Starting today we’re changing the eligibility requirement for monetization to 4,000 hours of watchtime within the past 12 months and 1,000 subscribers. We’ve arrived at these new thresholds after thorough analysis and conversations with creators like you. They will allow us to significantly improve our ability to identify creators who contribute positively to the community and help drive more ad revenue to them (and away from bad actors). These higher standards will also help us prevent potentially inappropriate videos from monetizing which can hurt revenue for everyone.
On February 20th, 2018, we’ll also implement this threshold across existing channels on the platform, to allow for a 30 day grace period. On that date, channels with fewer than 1,000 subs or 4,000 watch hours will no longer be able to earn money on YouTube. When they reach 1,000 subs and 4,000 watch hours they will be automatically re-evaluated under strict criteria to ensure they comply with our policies. New channels will need to apply, and their application will be evaluated when they hit these milestones.
Though these changes will affect a significant number of channels, 99% of those affected were making less than $100 per year in the last year, with 90% earning less than $2.50 in the last month. Any of the channels who no longer meet this threshold will be paid what they’ve already earned based on our AdSense policies. After thoughtful consideration, we believe these are necessary compromises to protect our community.
Of course, size alone is not enough to determine whether a channel is suitable for monetization, so we’ll continue to use signals like community strikes, spam, and other abuse flags to ensure we’re protecting our creator community from bad actors. As we continue to protect our platform from abuse, we want to remind all of you to follow YouTube’s Community Guidelines, Monetization Basics & Policies, Terms of Service, and Google AdSense program policies, as violating any of these may lead to removal from the YouTube Partner Program.
While this change will tackle the potential abuse of a large but disparate group of smaller channels, we also know that the bad action of a single, large channel can also have an impact on the community and how advertisers view YouTube. We’ll be working to schedule conversations with our creators in the months ahead so we can hear your thoughts and ideas and what more we can do to tackle that challenge.
One of YouTube’s core values is to provide anyone the opportunity to earn money from a thriving channel, and while our policies will evolve over time, our commitment to that value remains. Those of you who want more details around this change, or haven’t yet reached this new 4,000 hour/1,000 subscriber threshold can continue to benefit from our Creator Academy, our Help Center, and all the resources on the Creator Site to grow your channels.
Even though 2017 was a challenging year, thanks to creators like you, it was full of the moments that make YouTube such a special place. Creators large and small, established and emerging, transformed their talent and originality into videos that captivated over a billion people around the world. They made us laugh, taught us about our world and warmed our hearts. We’re confident the steps we’re taking today will help protect and grow our inspiring community well into the future.
Neal Mohan, Chief Product Officer and Robert Kyncl, Chief Business Officer”
Today at CES 2018, Orbitsound have announced the launch of their latest Airsound™ product in the form of The Dock E30.
The Dock E30 brings their unique Airsound™ technology and true stereo audio to a new device good looking enough to be the the audio centrepiece of your home.
Featuring wireless Qi charging, USB Type C connectivity, Bluetooth aptX audio and of course WiFi connectivity via Orbitsounds own app which gives uncompressed audio quality, coupled with audio connectivity via 3.5mm AUX and Optical connectivity, The Dock E30 sets new standards for home audio utilising their unique Airsound technology which gives a true stereo experience whilst eliminating the need for a audio sweet-spot. Mobile devices can sit securely on the device in a unique multi-device ‘groove’.
The Dock is designed with detachable magnetic front grille in a variety of colour schemes. As we other Orbitsound products, its design is restrained and neutral to allow it to sit comfortable in any setting. Listeners should be able to both enjoy the look and the superb sound provided by the device.
Orbitsound The Dock E30
Orbitsound Managing Director – Dan Fletcher said “Over the years, we have been refining and improving all aspects of our loudspeaker designs, constantly working to create even more realistic sound from practical sized loudspeakers. The Dock E30 leverages our latest work in acoustics; achieving unbelievable bass from a small box and superb clean spatial sound from our patented Airsound technology. Together with new high performance wireless technologies for Bluetooth and WiFi, our ‘Dock’ is a device that I am extremely proud to have created, and am looking forwards to using every day.”
Airsound was developed by Orbitsound founder Ted Fletcher who has worked in the music production industry for many years and is particularly famous for his work with Dusty Springfield and The Who. The technology is present in all Orbitsound products and sets it apart from the competition.
The Dock E30 Speaker can be extended further by the additional of a 54 wireless subwoofer where higher volumes and bigger audio is required.
I’m a big fan of Orbitsound and I’m looking forward to seeing device soon.
We are very lucky to share our premises with numerous high tech companies here at Adastral Park.
Pininfarina H2 Speed Hydrogen Concept – pictured at Adastral Park, UK.
A few weeks back it was the turn of Tech Mahindra to wow us in the form of the Pininfarina H2 Speed hydrogen concept car which was touring the country.
Marco Pintor – Sales Executive, Pininfarina S.p.A.
We were very pleased to spend some time chatting to the guys at both Pininfarina and Tech Mahindra on the day and gained some very interesting insights into this marketplace.
I spoke to Marco Pintor, Sales Executive at Pininfarina at length about the H2 Speed and how the challenge of powering a high performance vehicle with hydrogen, but retaining the traditional designs cues we have become accustomed to.
Sports car designers are faced with similar challenges when designing vehicles, they must be aerodynamic, light, appealing to the eye and evoke the ideals behind the vehicle. Thus, the H2 Speed’s body is constructed from carbon-fibre.
The timeless Pininfarina badgePininfarina H2 Speed
Propulsion is provided by the GreenGT Full Power Hydrogen powering 2 synchronous electric motors giving the equivalent of 500 horsepower. Energy is provided from 2 stacks of PEMFC Fuel Cells with a combined 210kW of energy.
Pininfarina H2 Speed
Power is applied directly to the rear wheels at a ratio of 1:6.3, as we many other alternative fuel cars, there is no clutch, differential of gear changing necessary, just immediate maximum torque, traction is controlled by torque vectoring.
Fuel is stored in two side mounted Hydrogen storage tanks either side of the cockpit with a combined tank capacity of 6.1 kg, with a pressue of 700 bars. Refuelling times are estimated at around 3 mins. Further energy is recovered from the braking system at 400V and a capacity of 20Ah.
Emissions are simply air and water from the exhaust system, there is ZERO pollution from the vehicle.
So, how does this stack up in peformance? Pretty well it would seem! Th H2 is capable of a 0-62mph in 3.4 seconds, a standing quarter mile in 11 seconds and a top speed of around 186 mph.
Sergio Farina with the Testarossa
Pininfarina have been styling automobiles for over 86 years, for manufactures such as Fiat, Alfa Romeo, Lancia, Maserati, Peugeot and of course Ferrari with the benchmarks of design of the Testarossa and Dino.
Now they find themselves in the 21st Century producing leading edge design and technology for a new breed or race cars. The future is looking very bright for both Pininfarina and their owner Tech Mahindra.
Currently, the H2 Speed is priced at around $2 million dollars and aimed at a very particular marketplace. We should however look forward to this amazing technology finding it’s way to our vehicles in the near future.
Following on from our Tesla Road Trip, I thought it would be a good opportunity to review one of the great pieces of equipment we were able to take with us on the trip.
We had planned to travel some 1200 or so miles from Ness Point to Ardnamurchan Point (and back again) in an electric car, part of the adventure was to try and document the trip. We planned to document the trip using a variety of equipment from Smartphones, stabilised cameras to 4K Drones.
We would likely be presented with many gigabytes of footage and it was therefore imperative that we had a durable solution for data backup and somewhere to copy footage and imagery taken during the trip.
Our rugged backup solution was indeed a Silicon Power Armor A65 portable 1TB hard drive with it’s shockproof and waterproof housing that gives it military grade protection, to U.S Military MIL-STD-810G 516.6 Procedure IV and IP67 Standard for dust and water ingress.
Out of the box, the SP Armor A65, comes with a rubberised casing and IP67 sealed USB 3.0 Socket. IP67 means the device components are sealed from dust and immersion in water up to a meter deep for 30 minutes. The USB 3.0 cable is a full sized male connector at each end, this makes connection to a PC or Laptop very easy as the cable works in either direction. The case also had a slot for either securing the cable to the drive or as a belt clip.
Inside of the heavily protected three layered case lies a Silcon Power 1TB 2.5″ Hard Disk with 1 Terabyte of storage, our brief tests for performance showed a very decent Blackmagic Disk Speed Test score of 71/70. The drive was used extensively both before, during and after the trip and became our ‘go to’ hard disk for the trip.
Included with the drive is Silcon Power’s HDD Lock Utility which runs on MS Windows. This allows you to encrypt all the data stored on the device to give a greater level of security for users
We tested the device for use when we were using both drones and laptops in the field and the added resilience of the device gave us a greater degree of confidence that our data would remain safe even in the most extreme circumstances. It was also used to backup our laptop during the journey.
If you travel often and need the convenience of a simple to connect device that is both rugged and secure, the SP Armor A65 is most certainly worth the investment and can be purchased from the link to the left.
It is always particularly interesting to test technology that has been developed by leaders in their particular sector, so I was very excited about visiting Orbitsound in London to have a demonstration of their ONE P70W Speakers.
Orbitsound was founded by Ted Fletcher, the inventor of Airsound™ technology. Ted has been working for many years as a musician, audio engineer, electronics designer and studio designer, to give the listener a more realistic, more immersive sound experience. These years of experience in the industry led to the release in 2017 of the Orbitsound ONE P70, the worlds first multi-orientation speaker, meaning regardless of where you stand, it sound remains the same.
The controls for the Orbitsound ONE P70W are found at the side of the speaker
The P70W is designed in such as way that it can be shelf or wall-mounted. It has a narrow design (700mm wide x 173mm deep x 77mm high), this allows for comfortably mounting below a flat screen television or on a wall as a ‘party’ speaker. It’s built from wood and steel and can be purchased in matte black, bambo or bone white weighing in a 5.1kg.
Sound is provided by two (front and top) 2″ ‘Orbitsound MK4 drivers’, a Sub-bass low-profile 5.25″ driver and 2X2 Airsound Orbitsound MK4 drivers. By positioning the main speakers both front and top mean that sound production is maintains regardless of how the speaker mounted.
Connectivity is provided by Bluetooth, Optical cable, 3.5mm stereo jack and the Wi-Fi. The Wi-Fi feature is the most impressive as it allows streaming of audio from a variety of sources without the loss of quality associated with Bluetooth, effectively allowing for uncompressed playback of music. It also allows for multi-speaker / multi-room playback with perfectly synchronised sound and zero delay. This is achieved by using the Orbitsound Smartphone app (Android and iOS) which supports streaming providers and internet radio stations and allows you to ‘group’ sets of speakers to create one virtual speaker. When I was given a demonstration of this at the Orbitsound offices, 3 separate speakers, both wall and shelf mounted were grouped together using the app. I was then asked to close my eyes to try and decide where I thought the sound was coming from. It was unearthly as it sounded like it was coming out of thin air, very impressive!
The Orbitsound App running on Android. Streaming from Tunein
The app currently supports TuneIn, iHeartRadio, Spotify, Tidal, Napster, Apple Music (iOS only) and of course your own device stored music. If you are absolutely focused on using other services such as Google Play Music or Amazon, then you can of course stream using Bluetooth. I used the speak in conjunction with my Amazon Dot, as well as my iMac and Xperia XZ Premium, all worked flawlessly.
I was also able to connect the speaker to my Freesat HD box using the supplied optical cable. This worked great, although the Freesat box had a bug with Netflix which meant it would only broadcast Dolby sound. This was a simple configuration on the Freesat box and all was working again.
The speaker comes with very nicely designed remote control and you can also use you own remote control using the speakers ‘learning mode’. I was able to control the speaker using my TV remote within a couple of seconds of setup.
The people at Orbitsound definitely had the environment in mind when they designed the P70W as it is built to power-down components that aren’t used, but power up instantly when required.
Quite a bit of thought has gone into small details on the P70W with the inclusion of reversible LED information display and Orbitsound badge. This might seem small things but they count as you really wouldn’t want to be showing off your new speaker to friends and have the badge upside down. integrated wall mounting and 200mm VESA bosses and bolts are included to allow you to get going straightaway with unnecessary visits to AV stores to buy mounting kits. There is also a protective sleeve for the speaker, to protect it when not in use.
The speaker also comes with a standard power cord, aux cable, quick-start guide and safety and warranty information, all packaged up in a very smart box. The useful inclusion of a carry handle was helpful too, as I carried a demonstration unit to the train station.
The Orbitsound P70W feels like a speaker that can fit many needs, be that as a Sound-bar for your TV, a party speaker for gatherings of people and the facility to extend your listening experience to multiple speakers. The smart design of the speakers means that it they would sit very comfortably in a professional or public environment. The whole family has really enjoy the quality and versatility of the speaker and we’ll be sad to see it go.
At £399, the Orbitsound P70W is great value for buyers looking for a richer smoother sound regardless of their position in the room.
It’s always nice to try out gadgets that appeal to both me and my wife Vanessa, and it was particularly exciting to receive a Yum Asia Sakura Rice Cooker to review.
When I was contacted by Yum Asia to ask if I wanted to review the one of their Rice Cookers, I jumped at the opportunity because I knew that Vanessa would be interested in what a rice cooker would bring to the kitchen and how it might improve rice dishes (Not that they aren’t already superb!).
The Sakura is an 8-cup capacity rice cooker which makes enough to feed up to 8 people. It has a very modern look with oriental influences. Cooking white rice alone takes between 30 – 40 minutes, which a faster ‘Quick’ mode of 26 minutes. Brown rice takes longer at 62 minutes.
As well as cooking rice, the Sakura can also be used to steam foods, make soup, cook porridge and also bake cakes, yoghurts and tahdig. These take a variety of cooking times, all handled by the device.
The control panel on the front of the rice cooker is Korean designed and motouch (touch sensitive), it’s very clear and easy to use. The product manual also gives clear instructions on the use of the cooker. Making different foods is as simple as correctly measuring the ingredients and selecting the right setting on the control-panel. It’s very simple to use and gave great results.
The lid of the cooker is strong and locks closed solidly. There is also a steam vent built in to release pressure during cooking. Everything is removeable for cleaning.
Inside the cooker is a removeable ceramic coated bowl with easy lift handles. On the side of the bowl are indicators which detail the rice portions and level of water required for perfect rice. The included measuring cup is used to ensure the correct amount of rice is always used.
Once all your ingredients are added and the correct cooking mode is selected, you simply press ‘Start’ and everything clicks into action.
The rice is cooked using a 7 phase method which are, preheat, absorb water, heating, boiling, braising, absorb water again and keep-warm. Interestingly, the Keep-Warm function can operate for up to 24 hours! So, very busy people can set the rice cooker going before bed and come home from work the next day and have perfect rice. It is just as good as preparing porridge ready for the next morning too.
The cooking of the rice is done in such a way that heat is dispersed throughout the inside of the device and radiated downwards from the lid, Yum Asia call this ‘3D heating technology’.
Also included with the cooker is a steaming basket, measuring cup, non-stick rice spatula and soup ladle. Everything is packaged in an sturdy box.
Both Vanessa and myself found the use of the rice cooker to be very easy. The instructions were straightforward and using the correct measurements meant that the resulting rice was both delicious and fluffy. Preparation was easy and it is very important to rinse the rice thoroughly beforehand to get the best results.
We have filmed the entire process and will be uploading this soon to demonstrate how simple it really was. Keep an eye on our Youtube Channel.
I have never considered a rice cooker before, but having used it and having found out that there is precious little additional work required to cook the rice using this method, but for superior results, we both think it is a brilliant addition to a kitchen.
The Sakura from Yum Asia can be purchased directly through their dedicated website.
You can visit their site here or by clicking the image to the left.
Watch as a fully-electric Formula E car lined up against a cheetah in the Western Cape, South Africa.
The race was undertaken to highlight the global impact the burning fossil fuels has on the environment and consequently threatens these endangered species.
Both cheetah and Formula E car reach speeds of 60mph in around three seconds. To find out which came out on top, watch the video.
As a Zero-Emissions motorsport, Formula E aims to help provide a solution by being a catalyst for change and help accelerate the uptake of electric vehicles and making a cleaner environment for all of us.
Jean-Eric Vergne, Montreal E-Prix race winner and TECHEETAH driver, said: “Both the TECHEETAH Formula-E Team and I want to be part of raising awareness for the wider impact that climate change has on our planet. We do it mostly by showcasing and developing our electric cars across the world throughout the Formula E season, but we wanted to do more outside of the race track. There are only around 7,000 cheetahs still living in the wild and we have a strong desire to raise awareness for the main threats they face, such as illegal trade of cubs for pets, loss of prey due to habitat loss and fragmentation aggravated by climate change. I’m really proud to have participated in this film and stay tuned for some exciting news to come following the documentary.”
There are now just 7,000 cheetahs remaining in the wild. The species is wide-ranging and sparsely distributed and needs large landscapes to survive, making it particularly vulnerable to habitat loss and fragmentation – threats that are exacerbated by a changing climate.
The film was overseen by conservation experts and animal welfare organisations, and is released in partnership with Animal Issues Matter, Cheetah Outreach and Endangered Wildlife Trust.
We all have to start somewhere and so did some of the biggest tech companies. Play our quiz and see if you can guess what their first products were? You might be surprised at some of the answers!
Don’t forget to comment with your score and don’t forget to like and share!!
In the lead up to the East West Road Trip in October I was looking for a smartphone to enable me to document the trip both with photographs and video and was particularly keen to live stream the video where possible.
Initially I was looking to live-stream the trip using a 360° camera, unfortunately this didn’t come off and I was faced with a last-minute race to find an alternative literally 2 days before we were departing!
Fortunately, I was offered the Sony Xperia XZ1 phone with 30gb of data from EE. This solved by data anxiety problems immediately and having used Sony Xperia devices in the past, I was confident they would step up to the plate with image and video quality.
Sony are an extremely well-established tech companies, in fact for many years they were ‘the’ tech company of choice and it’s no secret the mobile phone market is dominated by two other big tech brands, so I was interested to see how the XZ1 would differentiate itself in an ultra-competitive industry.
Out of the box, the Sony XZ1 is a sleek, smooth, black device, with Gorilla Glass 5 front facing glass and deep black aluminium at the back, a departure from the super-sized XZ Premium from earlier in the year which was covered from and rear in glass. With dimensions of 5.83″ x 2.87″ with a thickness of 7.4mm, this is not the most gigantic handset and its smooth edges make it comfortable to hold, although it is very smooth, so hold on tight! Aside from black, the device is also available in Moonlit Blue, Warm Silver and Venus Pink, so plenty of choice.
The phone is preloaded with the Google Android™ O (or Oreo) operating system and Sony have been very sensitive by not trashing the ideals of the OS by avoiding in the addition of their own ‘enhancements’ in the most part.
The phone packs a very bright 5.2″ TRILUMINOS™ display driven by BRAVIA® TV technology given HDR compatible playback X-Reality™ producing 138% of standard display colour spectrum, the companies experience in the display market really comes through. The display is noticeably brighter and colour more natural that other phone displays and playing HDR video from YouTube, Netflix or Amazon Prime is incredible. X-Reality™ intelligently removes noise and from videos produces exquisite results, it really is impressive. Some people would criticise the use of a Full HD screen HDR screen instead of the perceived standard of UHD and above, but I would beg to differ, having tried both UHD and 4K mobile devices, I see no real benefits, even when using VR Goggles.
The beating heart inside of the device is provided by a Qualcomm® Snapdragon™ 835 Processor, positioning the phone in the same bracket at the competition. In addition, storage comes as 4GB of RAM and 64 GB of super-fast UFS internal memory with support for an addition of a up to 256GB micro SDXC. It’s pleasing that support for additional memory has been included with the phone, although it’s quite fiddly adding and removing both Sim card and SD cards with the phone, but on the plus side it’s very accessible. It should be noted that around 9.5GB is used up by preinstalled firmware and applications.
Click here to Buy the Sony Xperia XZ1 via Amazon
The phone is powered by a 2700 mAh battery, featuring Smart Stamina 3.0 and Qnovo Adaptive Charging which prolongs the life of the battery by ensuring it is charged quickly and safely with the addition of Qualcomm® Quick Charge™ 3.0. I’ve come across battery charge management in the past with electric cars and particularly the Tesla Model S, this too allows for quick charging, but upon reaching around 80% full, charging speed is tapered off to ensure the lifetime of the battery. Sony does a similar job with the Xperia XZ1 by intelligently noting owners charge habits and adjusting the charge rate of the phone if for instance you are sleeping and don’t begin using your phone until 7.15am. It is also possible to use the phone to charge other devices using an Android OTG adapter, but in fairness mobile phone battery is at such a premium that use of it for anything other than for the phone itself is rare.
With normal use the phone easily provides a days use with something left over at the end and this will be using all of the phones features, even some of the cooler ones which I will talk about later. Charging is provided by a Qualcomm® Quick Charge™ 3.0 charger and USB Type C socket.
Moving on the the front and rear cameras, Sony has yet again infused the phone with their high quality optics and sensors. The rear facing 9MP Motion Eye™ camera with 1/ 2.3” Exmor RS™ with 1.22μm pixel pitch. The lens is a 25 mm wide G Lens F2.0. Sony again use their own BIONZ™ for mobile image-processing engine to give superb results. There’s a ton of features such as Predictive Capture (motion / smile), Autofocus burst, x8 Digital Zoom, HDR Photo, 0.6 sec Quick Launch & Capture, Predictive Hybrid Autofocus, Anti-distortion shutter, Triple image sensing technology, SteadyShot™ with Intelligent Active Mode (5-axis stablisation) and 4K recording at 30fps.
However, the ‘pièce de résistance’ is the inclusion of a 960 fps Super slow motion video capture. This is achieved by the inclusion of addition hardware installed directly into the camera sensor in the form of hyper fast dynamic memory which allows for raw footage to be saved directly into the sensor and then drip feed and standard speed back to the standard hardware. Due to the colossal amount of power required to pulling 960 frames per second, the sensor only actually captures .18 of a second at 720hd, stretching it to around 6 seconds of footage.
This is called Motion Eye technology and personally I’m looking forward to seeing how this develops for the future, because it’s really impressive. As expected, you need bags of light to capture at this speed, so it works best outside in daylight, I also noticed light flicker in my office due to the refresh rate of our lights. Normal lighting does not cause his problem though.
The front facing camera is a saner 13MP 1/ 3.06” Exmor RS™ for mobile image sensor with 22mm wide angle lens at F2.0, again Sony includes it’s proprietary SteadyShot™ 5-axis stablization technology.
There is one simply AMAZING feature included with the XZ1 which is the 3D Capture mode. This uses software developed by Sony, utilising both processor and camera to allow you to 3D scan objects, share them and even have them 3D printed. It takes a little practice and Sony actively limit the modes available to give you time to get used to simple scans until you are ready to scan ‘freehand’. My initial results were ok, but I soon became adept in scanning some great objects, from peoples’ faces, heads, food and any other object I could think of. This is a tipping point in this industry, no longer do you need super expensive scanners and solutions, you can now use your Sony Xperia XZ1 (and now XZ Premium) to scan 3d objects. It truly is incredible.
Sony has chosen to stick with traditional Xperia design, this means that the trend of big screens and no bezels isn’t a feature of this phone, instead the phone packs stereo speakers at top and bottom of the phone which in landscape mode gives supreme stereo sound, making use of the Qualcomm® aptX™ HD audio features, the phone can ‘upscale’ lower quality audio to a near uncompressed sound when streaming across Bluetooth. There are a host of other features such as High-Resolution Audio, DSEE HX™, LDAC, Digital Noise Cancelling, Clear Audio+, S-Force Front Surround, Stereo Recording and Sony’s Virtual Phones technology. The speaker volume has also been increased by 50% over previous models.
Gaming wise, the phone is going to be able to handle pretty much everything thrown at it at the moment due to it’s highest end spec, but also included is PS4 integration using Remote Play. this allows you to connect to your own PS4 remotely and play your installed games, you can even pair a PS4 gamepad if that appeals.
The phone retails at £599 off contract, but at the time of writing there are some pretty appealing deals including some nice add-ons, but in the UK you are still looking above £50 per month for two years and more if you want better data allowance.
Although the XZ1 doesn’t pack the 4K display of the XZ Premium, the screen is quite possibly richer, especially in HDR mode, the sound it great and performance very very quick. In a world where it is perceived we only have two choices, Sony have yet again produced a solid handset capable of sitting amongst the best.
I did end up streaming a fair amount using the Sony Xperia XZ1 during and after the trip and found it to be a very capable device and coupled with an effectively limitless amount of data, it worked well.
On a side note, EE’s 4G network is very impressive and we were able to live stream both through Glencoe and arriving at Ardnamurchan, they pretty much had us covered.
Matt Porter
The Gadget Man
Artificial Intelligence, Technology, News and Gadget Reviews on air, online, in print and in person
The phone is powered by a 2700 mAh battery, featuring Smart Stamina 3.0 and Qnovo Adaptive Charging which prolongs the life of the battery by ensuring it is charged quickly and safely with the addition of Qualcomm
