Tag Archives: Anycubic Kobra S1

Title: The Art of Watching 3D Prints: Satisfying or Simply Hypnotic?

As 3D printing continues to weave its way into our lives—from prototyping and manufacturing to hobbyist creations—there’s a unique phenomenon that many of us in the maker community have either experienced or pondered: the act of watching a 3D print come to life. Whether you’re the creator of the object or a casual observer, the sight of a nozzle meticulously layering molten plastic can evoke a surprising array of emotions.

But the question remains: is it truly satisfying to watch a 3D print? And does the experience differ for the person who designed the print versus a general viewer? Let’s explore this fascinating intersection of technology, creativity, and psychology.

The Anycubic Kobra S1 Combo offers an internal camera for both viewing live print job via the mobile app or slicing software along with a time-lapse function (which you can see above featuring the construction of a ‘poop-bin’).

Anycubic Kobra S1 Combo
Anycubic Kobra S1 Combo

The Creator’s Perspective

For those of us who have spent hours—sometimes days—designing a model, watching it come to life can feel akin to witnessing a sculptor carving marble. The experience is deeply personal, tied to the creative process and the anticipation of seeing your vision materialise.

There’s also a practical aspect: watching a print unfold can provide critical insight into potential design flaws. The layers reveal everything, from the perfect flow of filament to those dreaded moments when a miscalculation results in spaghetti-like chaos. For the creator, this isn’t just satisfying—it’s a vital part of refining their craft.

But let’s be honest: once the novelty wears off, even the most enthusiastic maker might find the process a tad monotonous. After all, watching a large print can take hours, if not days. Remote monitoring via a video link often becomes a preferred alternative—practical, yes, but does it carry the same visceral satisfaction?


The Viewer’s Perspective

For the uninitiated, the spectacle of a 3D printer at work can be downright mesmerising. There’s something hypnotic about the rhythmic movements of the print head, the hum of the stepper motors, and the slow but steady transformation of raw filament into a tangible object.

Platforms like YouTube and TikTok are filled with time-lapse videos of prints, condensed into seconds or minutes. These videos are undeniably satisfying, combining the visual appeal of precision engineering with the gratification of seeing a project completed in record time. But is the live experience equally captivating?

Casual viewers often find the real-time process relaxing but not necessarily engaging for extended periods. Much like watching a pot boil, the anticipation can sometimes outpace the actual event. Still, there’s a niche group of enthusiasts who liken the experience to watching a campfire—soothing, meditative, and strangely addictive.


The Role of Remote Monitoring

Remote monitoring adds an interesting layer to the debate. For creators, tools like OctoPrint or a webcam setup allow for constant oversight without being tethered to the printer. This practical solution can also serve as a bridge between creators and viewers, enabling live streams of prints for a global audience.

Most modern printers now come equipped with built-in cameras and the ability to create time-lapse videos. Open-source tools like OctoPrint have even enhanced this experience by homing the print head during time-lapse capture, resulting in cleaner and more engaging footage. These advancements not only make monitoring more practical but also elevate the viewing experience for creators and audiences alike.

However, the satisfaction derived from remote monitoring often depends on the context. Is it a high-stakes print with intricate details? Or a simple functional piece? For viewers tuning in remotely, the experience can feel less immersive but still enjoyable, especially when paired with commentary or a clear narrative about the object’s purpose.


The Verdict

So, is watching a 3D print satisfying? The answer, unsurprisingly, is subjective. For creators, the process can be a blend of satisfaction, anticipation, and anxiety. For viewers, it’s often a mix of curiosity and relaxation, with the level of engagement varying based on personal interest.

Perhaps the real magic lies in the shared appreciation for the technology. Whether you’re a maker checking for flaws, a viewer marvelling at the process, or someone enjoying a time-lapse on social media, 3D printing offers a unique window into the intersection of art and engineering.

So, next time you find yourself mesmerised by a print—either in person or remotely—take a moment to reflect on what it is that holds your attention. Is it the satisfaction of creation, the joy of discovery, or simply the hypnotic beauty of precision in motion? Whatever your answer, one thing’s for sure: 3D printing continues to capture our imagination, one layer at a time.

 

From Manual Filament Swapping to Automatic Colour Changes: Ender 3 vs Anycubic Kobra S1 Combo

From Manual Filament Swapping to Automatic Colour Changes: Ender 3 vs Anycubic Kobra S1 Combo

As someone who’s had the opportunity to tinker with various 3D printers over the years, I’ve experienced both the joys and frustrations of colour swapping during prints. My journey started with manual filament swaps on the Ender 3, and now I’ve moved on to the seamless (albeit not waste-free) world of automatic colour swapping on the Anycubic Kobra S1 Combo. Let’s dive into the key differences between these two approaches and the lessons I’ve learned along the way.


Manual Filament Swapping on the Ender 3

The Ender 3 is a fantastic workhorse for beginners and enthusiasts alike. However, when it comes to multi-colour printing, you’re limited to manual filament swaps, which can only be done at specific layer heights. While this technique is simple in concept, it comes with its own set of challenges:

How It Works

  1. Design the model with clear layer divisions for each colour.
  2. Use your slicer software (e.g., Cura) to insert filament change commands (commonly M600 G-code) at the desired layer height.
  3. Monitor the printer closely and manually swap the filament when prompted.
  4. Restart the print after the filament is loaded.

Advantages

  • Cost-Effective: No need for additional hardware or upgrades.
  • Straightforward: Simple to set up with basic slicer adjustments.
  • Customisation: Allows for precise colour placement, as long as changes align with flat layers.

Challenges

  • Time-Consuming: You must stay near the printer to swap filament, especially for prints with multiple transitions.
  • Limited to Layers: Colour changes are restricted to flat transitions between layers, making it unsuitable for gradient or complex designs.
  • Risk of Errors: Improper filament loading or extrusion can result in print failures or layer inconsistencies.

The Ender 3 is a simple “bed slinger” design, where the print bed moves along the Y-axis during printing. This makes it easy to understand and maintain but limits its speed and precision compared to more advanced designs. Manual filament swaps on the Ender 3 are a rewarding challenge, but they’re not ideal for prints requiring frequent or intricate colour changes.


Automatic Colour Swapping on the Anycubic Kobra S1 Combo

Enter the Anycubic Kobra S1 Combo, a machine that takes the hassle out of colour transitions with its automatic colour swapping capabilities. This feature is a game-changer for multi-colour printing, but it’s not without its quirks.

How It Works

  1. Load multiple filaments into the system’s multi-material module.
  2. Use your slicer software to assign colours or materials to specific parts of the model.
  3. The printer automatically purges and swaps filaments as required during the print.

Advantages

  • Full Automation: No need to monitor the printer for manual swaps.
  • Flexible Design: Supports intricate, multi-colour models and even gradient effects.
  • Time-Saving: Once the print starts, you can walk away and let the machine handle transitions.
  • Advanced Features: Comes with a four-reel filament holder, filament drying capabilities (ACE Pro), and a completely enclosed design with a self-levelling bed for precision and consistency.
  • Core-X-Y Design: The Kobra S1 uses a core-X-Y motion system, where the print head moves along the X and Y axes, while the bed remains stationary in those directions and only moves along the Z-axis. This design allows for faster and more precise printing.
  • Speed: Prints significantly quicker than the Ender 3, reducing overall production time.

Challenges

  • Purge Waste: Automatic colour swaps generate significant purge waste, especially for frequent transitions. This waste can be a mix of materials and colours, making it harder to recycle.
  • Material Costs: Increased waste also means higher filament consumption, which can add up over time.
  • Complexity: The Kobra S1 Combo’s advanced features and capabilities make it a more complex machine to operate and maintain, compared to the hands-on simplicity of the Ender 3.
  • Calibration Required: Achieving perfect transitions may require fine-tuning slicer settings and calibration.

Despite these challenges, the Kobra S1 Combo excels at delivering high-quality multi-colour prints with minimal effort compared to manual methods.


Key Comparisons

Feature Ender 3 (Manual Swaps) Anycubic Kobra S1 Combo (Automatic)
Ease of Use Labour-intensive Fully automated
Print Complexity Limited to layer changes Supports gradients and intricate designs
Material Waste Minimal Significant purge waste
Time Investment High (requires supervision) Low (set and forget)
Cost Efficiency More cost-effective Higher filament consumption
Learning Curve Simple to learn Requires slicer and printer calibration
Features Basic setup Four-reel holder, filament dryer, enclosed design, self-levelling bed, Core-X-Y system
Speed Slower print times Significantly faster

Which System Is Right for You?

The choice between manual and automatic filament swapping depends largely on your needs:

Creality Ender 3
Creality Ender 3

Ender 3: Ideal for budget-conscious users who don’t mind putting in extra effort to achieve basic multi-colour prints. It’s a hands-on machine that’s perfect for learning and tinkering.

Anycubic Kobra S1 Combo
Anycubic Kobra S1 Combo

Anycubic Kobra S1 Combo: Perfect for users looking for convenience and the ability to create complex, high-quality multi-colour designs with minimal manual intervention. Its advanced features make it a powerful tool but with added complexity.

For me, moving to the Kobra S1 Combo has been a revelation. The convenience of automatic colour swapping far outweighs the challenges of purge waste and calibration. That said, the Ender 3 taught me valuable skills and patience, which I still draw upon when troubleshooting more advanced systems.


Final Thoughts

Transitioning from manual to automatic colour swapping is like moving from a bicycle to a car—both get you to your destination, but the experience is vastly different. The Ender 3 is a great starting point for learning the fundamentals of 3D printing, while the Anycubic Kobra S1 Combo opens up a world of possibilities for complex, multi-colour creations.

If you’ve been hesitant to make the leap to automatic systems, consider this: while there’s no substitute for learning the basics, automation can free up your time to focus on what really matters—creating amazing prints.

What’s your experience with colour swapping in 3D printing? I’d love to hear your thoughts in the comments below!

If you are thinking of buying a Anycubic printer, use the discount code MATTPORTER when you check out to receive a £20 discount.